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Member’s Mark Adler 4-piece Fire Pit Set

Hiatus Hughes As Singer Seventh Star And Gillen As Singer

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Following the completion of the Born Again tour in March 1984, vocalist Ian Gillan left Black Sabbath to re-join Deep Purple, which was reforming after a long hiatus. Bevan left at the same time, and Gillan remarked that he and Bevan were made to feel like “hired help” by Iommi. The band then recruited an unknown Los Angeles vocalist named David Donato and Ward once again rejoined the band. The new line-up wrote and rehearsed throughout 1984, and eventually recorded a demo with producer Bob Ezrin in October. Unhappy with the results, the band parted ways with Donato shortly after. Disillusioned with the band’s revolving line-up, Ward left shortly after stating “This isn’t Black Sabbath”. Butler would quit Sabbath next in November 1984 to form a solo band. “When Ian Gillan took over that was the end of it for me,” he said. “I thought it was just a joke and I just totally left. When we got together with Gillan it was not supposed to be a Black Sabbath album. After we had done the album we gave it to Warner Bros. and they said they were going to put it out as a Black Sabbath album and we didn’t have a leg to stand on. I got really disillusioned with it and Gillan was really pissed off about it. That lasted one album and one tour and then that was it.”

Technical Ecstasy Never Say Die And Osbourne’s Departure

Black Sabbath began work for their next album at Criteria Studios in Miami, Florida, in June 1976. To expand their sound, the band added keyboard player Gerald Woodroffe, who also had appeared to a lesser extent on Sabotage. During the recording of Technical Ecstasy, Osbourne admits that he began losing interest in Black Sabbath and began to consider the possibility of working with other musicians. Recording of Technical Ecstasy was difficult by the time the album was completed, Osbourne was admitted to Stafford County Asylum in Britain. It was released on 25 September 1976 to mixed reviews, and for the first time later music critics gave the album less favourable retrospective reviews two decades after its release, AllMusic gave the album two stars, and noted that the band was “unravelling at an alarming rate”. The album featured less of the doomy, ominous sound of previous efforts, and incorporated more synthesisers and uptempo rock songs. Technical Ecstasy failed to reach the top 50 in the U.S. and was the band’s second consecutive release not to achieve Platinum status, although it was later certified Gold in 1997. The album included “Dirty Women“, which remains a live staple, as well as Ward’s first lead vocal on the song “It’s Alright”. Touring in support of Technical Ecstasy began in November 1976, with openers Boston and Ted Nugent in the U.S., and completed in Europe with AC/DC in April 1977.

Master Of Reality And Vol 4

In February 1971, after a one-off performance at the Myponga Pop Festival in Australia, Black Sabbath returned to the studio to begin work on their third album. Following the chart success of Paranoid, the band were afforded more studio time, along with a “briefcase full of cash” to buy drugs. “We were getting into coke, big time”, Ward explained. “Uppers, downers, Quaaludes, whatever you like. It got to the stage where you come up with ideas and forget them, because you were just so out of it.”

Production completed in April 1971, and in July the band released Master of Reality, just six months after the U.S. release of Paranoid. The album reached the top 10 in the U.S. and the United Kingdom, and was certified Gold in less than two months, eventually receiving Platinum certification in the 1980s and Double Platinum in the early 21st century. It contained Sabbath’s first acoustic songs, alongside fan favourites such as “Children of the Grave” and “Sweet Leaf“. Critical response of the era was generally unfavourable, with Lester Bangs delivering an ambivalent review of Master of Reality in Rolling Stone, describing the closing “Children of the Grave” as “naïve, simplistic, repetitive, absolute doggerel but in the tradition … The only criterion is excitement, and Black Sabbath’s got it”.


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Gillan As Singer And Born Again

Born Again

The remaining original members, Iommi and Butler, began auditioning singers for the band’s next release. Deep Purple and Whitesnake‘s David Coverdale, Samson‘s Nicky Moore and Lone Star‘s John Slomanwere all considered and Iommi states in his autobiography that Michael Bolton auditioned. The band settled on former Deep Purple vocalist Ian Gillan to replace Dio in December 1982. The project was initially not to be called Black Sabbath, but pressure from the record label forced the group to retain the name. The band entered The Manor Studios in Shipton-on-Cherwell, Oxfordshire, in June 1983 with a returned and newly sober Bill Ward on drums. “That was the very first album that I ever did clean and sober,” Ward recalled. “I only got drunk after I finished all my work on the album which wasn’t a very good idea… Sixty to seventy per cent of my energy was taken up on learning how to get through the day without taking a drink and learning how to do things without drinking, and thirty per cent of me was involved in the album.”

Born Again was panned on release by critics. Despite this negative reception, it reached number four in the UK, and number 39 in the U.S. Even three decades after its release, AllMusic’s Eduardo Rivadavia called the album “dreadful”, noting that “Gillan’s bluesy style and humorous lyrics were completely incompatible with the lords of doom and gloom”.

Martin Rejoins Cross Purposes And Forbidden

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Drummer Vinny Appice left the band following the reunion show to rejoin Ronnie James Dio’s solo band, later appearing on Dio’s Strange Highways and Angry Machines. Iommi and Butler enlisted former Rainbow drummer Bobby Rondinelli, and reinstated former vocalist Tony Martin. The band returned to the studio to work on new material, although the project was not originally intended to be released under the Black Sabbath name. As Geezer Butler explains:


It wasn’t even supposed to be a Sabbath album I wouldn’t have even done it under the pretence of Sabbath. That was the time when the original band were talking about getting back together for a reunion tour. Tony and myself just went in with a couple of people, did an album just to have, while the reunion tour was going on. It was like an Iommi/Butler project album.

Black Sabbath embarked on a world tour in July 1995 with openers Motörhead and Tiamat, but two months into the tour, drummer Cozy Powell left the band, citing health issues, and was replaced by former drummer Bobby Rondinelli. “The members I had in the last lineup Bobby Rondinelli, Neil Murray they’re great, great characters…” Iommi told Sabbath fanzine Southern Cross. “That, for me, was an ideal lineup. I wasn’t sure vocally what we should do, but Neil Murray and Bobby Rondinelli I really got on well with.”

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Seasonal Patio Furniture Prep

Its time to get your outdoor furniture and space back into summer mode. Cleaning and preparing your patio furniture for the season is as important as maintaining your patio itself. Taking your sets out of storage and cleaning things up from the winter is a vital step to enjoymentand if you follow the proper care and maintenance tips your furniture is sure to last longer. When it’s time to hit the back yard, these tips will keep your furniture looking brand new after a long winter: Wipe down aluminum frames and wicker materials with mild soap and clean, warm water with a non-abrasive cloth. Use a damp cloth with mild soap to wipe off cushions and fabrics clean of any debris or minor spills. Dry thoroughly after cleaning to prevent water spots.

Osbourne Rejoins And Reunion

In the summer of 1997, Iommi, Butler and Osbourne reunited to coheadline the Ozzfest tour alongside Osbourne’s solo band. The line-up featured Osbourne’s drummer Mike Bordin filling in for Ward. “It started off with me going off to join Ozzy for a couple of numbers,” explained Iommi, “and then it got into Sabbath doing a short set, involving Geezer. And then it grew as it went on We were concerned in case Bill couldn’t make it couldn’t do it because it was a lot of dates, and important dates The only rehearsal that we had to do was for the drummer. But I think if Bill had come in, it would have took a lot more time. We would have had to focus a lot more on him.”

In December 1997, the group was joined by Ward, marking the first reunion of the original quartet since Osbourne’s 1992 “retirement show”. This line-up recorded two shows at the Birmingham NEC, released as the double album Reunion on 20 October 1998. The album reached number eleven on the Billboard 200, went platinum in the U.S. and spawned the single “Iron Man“, which won Sabbath their first Grammy Award in 2000 for Best Metal Performance, 30 years after the song was originally released. Reunion featured two new studio tracks, “Psycho Man” and “Selling My Soul”, both of which cracked the top 20 of the Billboard Mainstream Rock Tracks chart.


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Dio Rejoins And Dehumanizer

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While on his Lock Up the Wolves U.S. tour in August 1990, former Sabbath vocalist Ronnie James Dio was joined onstage at the Roy Wilkins Auditorium by Geezer Butler to perform “Neon Knights”. Following the show, the two expressed interest in rejoining Sabbath. Butler convinced Iommi, who in turn broke up the current line-up, dismissing vocalist Tony Martin and bassist Neil Murray. “I do regret that in a lot of ways,” Iommi said. “We were at a good point then. We decided to and I don’t even know why, really. There’s the financial aspect, but that wasn’t it. I seemed to think maybe we could recapture something we had.”

The resulting Dehumanizer was released on 22 June 1992. In the U.S., the album was released on 30 June 1992 by Reprise Records, as Dio and his namesake band were still under contract to the label at the time. While the album received mixed reviews,, it was the band’s biggest commercial success in a decade. Anchored by the top 40 rock radio single “TV Crimes”, the album peaked at number 44 on the Billboard 200. The album also featured “Time Machine”, a version of which had been recorded for the 1992 film Wayne’s World. Additionally, the perception among fans of a return of some semblance of the “real” Sabbath provided the band with much needed momentum.

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Second Osbourne Reunion And 13

In a January 2010 interview while promoting his biography I Am Ozzy, Osbourne stated that although he would not rule it out, he was doubtful there would be a reunion with all four original members of the band. Osbourne stated: “I’m not gonna say I’ve written it out forever, but right now I don’t think there’s any chance. But who knows what the future holds for me? If it’s my destiny, fine.” In July, Butler said that there would be no reunion in 2011, as Osbourne was already committed to touring with his solo band. However, by that August they had already met up to rehearse together, and continued to do so through the autumn.

On 11 November 2011, Iommi, Butler, Osbourne, and Ward announced that they were reuniting to record a new album with a full tour in support beginning in 2012. Guitarist Iommi was diagnosed with lymphoma on 9 January 2012, which forced the band to cancel all but two shows of a previously booked European tour. It was later announced that an intimate show would be played in their hometown Birmingham. It was the first concert since the reunion and the only indoors concerts that year. In February 2012, drummer Ward announced that he would not participate further in the band’s reunion until he was offered a “signable contract”.

Sabbath Bloody Sabbath And Sabotage

Following the Vol. 4 world tour, Black Sabbath returned to Los Angeles to begin work on their next release. Pleased with the Vol. 4 album, the band sought to recreate the recording atmosphere, and returned to the Record Plant studio in Los Angeles. With new musical innovations of the era, the band were surprised to find that the room they had used previously at the Record Plant was replaced by a “giant synthesiser”. The band rented a house in Bel Air and began writing in the summer of 1973, but in part because of substance issues and fatigue, they were unable to complete any songs. “Ideas weren’t coming out the way they were on Vol. 4, and we really got discontent”, Iommi said. “Everybody was sitting there waiting for me to come up with something. I just couldn’t think of anything. And if I didn’t come up with anything, nobody would do anything”.

In November 1973, Black Sabbath began to receive positive reviews in the mainstream press after the release of Sabbath Bloody Sabbath, with Gordon Fletcher of Rolling Stone calling the album “an extraordinarily gripping affair” and “nothing less than a complete success”. Later reviewers such as AllMusic’s Eduardo Rivadavia cite the album as a “masterpiece, essential to any heavy metal collection”, while also displaying “a newfound sense of finesse and maturity”. The album marked the band’s fifth consecutive Platinum-selling album in the U.S., reaching number four on the UK Albums Chart and number 11 in the U.S.

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Cancelled Twentieth Album The End And Disbandment

On 29 September 2014, Osbourne told Metal Hammer that Black Sabbath would begin work on their twentieth studio album in early 2015 with producer Rick Rubin, followed by a final tour in 2016. In an April 2015 interview, however, Osbourne said that these plans “could change”, and added, “We all live in different countries and some of them want to work and some of them don’t want to, I believe. But we are going to do another tour together.”

On 3 September 2015, it was announced that Black Sabbath would embark on their final tour, titled The End, from January 2016 to February 2017. Numerous dates and locations across the U.S., Canada, Europe, Australia and New Zealand were announced. The final shows of The End tour took place at the Genting Arena in their home city of Birmingham, England on 2 and 4 February 2017. On 26 October 2015, it was announced the band consisting of Osbourne, Iommi and Butler would be returning to the on 11 June 2016. Despite earlier reports that they would enter the studio before their farewell tour, Osbourne stated that there would not be another Black Sabbath studio album. However, an 8-track CD entitled The End was sold at dates on the tour. Along with some live recordings, the CD includes four unused tracks from the 13 sessions.

On 7 March 2017, Black Sabbath announced their disbandment through posts made on their official social media accounts.

The Dio Years And Heaven & Hell

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While Ozzy Osbourne was working on new solo album material in 2006, Rhino Records released Black Sabbath: The Dio Years, a compilation of songs culled from the four Black Sabbath releases featuring Ronnie James Dio. For the release, Iommi, Butler, Dio, and Appice reunited to write and record three new songs as Black Sabbath. The Dio Years was released on 3 April 2007, reaching number 54 on the Billboard 200, while the single “The Devil Cried” reached number 37 on the Mainstream Rock Tracks chart. Pleased with the results, Iommi and Dio decided to reunite the Dio era line-up for a world tour. While the line-up of Osbourne, Butler, Iommi, and Ward was still officially called Black Sabbath, the new line-up opted to call themselves Heaven & Hell, after the album of the same title, to avoid confusion. When asked about the name of the group, Iommi stated “it really is Black Sabbath, whatever we do… so everyone knows what they’re getting so people won’t expect to hear ‘Iron Man’ and all those songs. We’ve done them for so many years, it’s nice to do just all the stuff we did with Ronnie again.”Ward was initially set to participate, but dropped out before the tour began due to musical differences with “a couple of the band members”. He was replaced by former drummer Vinny Appice, effectively reuniting the line-up that had featured on the Mob Rules and Dehumanizer albums.

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Formation And Early Days

In December 1968, Iommi abruptly left Earth to join Jethro Tull. Although his stint with the band would be short-lived, Iommi made an appearance with Jethro Tull on The Rolling Stones Rock and Roll Circus TV show. Unsatisfied with the direction of Jethro Tull, Iommi returned to Earth by the end of the month. “It just wasn’t right, so I left”, Iommi said. “At first I thought Tull were great, but I didn’t much go for having a leader in the band, which was Ian Anderson‘s way. When I came back from Tull, I came back with a new attitude altogether. They taught me that to get on, you got to work for it.”


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